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Jul 21, 2014 / 365 notes

(via japanlove)

Jul 21, 2014 / 1,101 notes

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Urs FischerYou, 2007 

Urs Fischer achieves the illusion of removing the gallery itself to create a feeling a emptiness. His 2007 installation, “You” invites the viewer into a field of loss, where a world has been torn down and left to rubble.
Jul 21, 2014 / 15,940 notes

Urs Fischer
You, 2007 

Urs Fischer achieves the illusion of removing the gallery itself to create a feeling a emptiness. His 2007 installation, “You” invites the viewer into a field of loss, where a world has been torn down and left to rubble.

(via welcometothecandyshop)

Jul 21, 2014 / 30,341 notes
saschalily:

maddynorris:

Drawing in the Corner, 1971

x
Jul 21, 2014 / 35,105 notes

saschalily:

maddynorris:

Drawing in the Corner, 1971

x

(via welcometothecandyshop)

Jul 19, 2014 / 209 notes
Jul 18, 2014 / 94 notes

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Jul 16, 2014 / 29 notes
nativefunkk:

Academic Building, School of Renewable Energy Technology, Thailand.
~~ W o w dream home ~~
Jul 16, 2014 / 59 notes

nativefunkk:

Academic Building, School of Renewable Energy Technology, Thailand.

~~ W o w dream home ~~

grupaok:

Lubaina Himid, Thin Black Line(s), 2012. “Moments and connections — during the 1980s — for the women artists — from Five Black Women At the Africa Centre 83 — Black Woman Time Now 83 — The Thin Black Line 85.” Made during Himid’s reconsideration of The Thin Black Line for Tate Britain.
Jul 15, 2014 / 7 notes

grupaok:

Lubaina Himid, Thin Black Line(s), 2012. “Moments and connections — during the 1980s — for the women artists — from Five Black Women At the Africa Centre 83 — Black Woman Time Now 83 — The Thin Black Line 85.” Made during Himid’s reconsideration of The Thin Black Line for Tate Britain.